Coleridge: From "Lectures on the English Poets." 1
It remains that I should say a few words of Mr. Coleridge; and there is no one who has a better right to say what he thinks of him than I have." Is there here any dear friend of Caesar? To him I say, that Brutus's love to Caesar was no less than his." But no matter. -- His Ancient Mariner is his most remarkable performance, and the only one that I could point out to anyone as giving an adequate idea of his great natural powers. It is high German, however, and in it he seems to "conceive of poetry but as a drunken dream, reckless, careless, and heedless, of past, present, and to come." His tragedies (for he has written two) are not answerable to it; they are, except a few poetical passages, drawling sentiment and metaphysical jargon. He has no genuine dramatic talent. There is one fine passage in his Christobel, that which contains the description of the quarrel between Sir Leoline and Sir Roland de Vaux of Tryermaine, who had been friends in youth.
It might seem insidious if I were to praise his ode entitled Fire, Famine, and Slaughter, as an effusion of high poetical enthusiasm, and strong political feeling. His Sonnet to Schiller conveys a fine compliment to the author of the Robbers, and an equally fine idea of the state of youthful enthusiasm in which he composed it. His Conciones ad Populum, Watchman, &c. trash. Of his Friend, I have spoken the truth elsewhere. But I may say of him here, that he is the only person I ever knew who answered to the idea of a man of genius. He is the only person from whom I ever learnt anything. There is only one thing he could learn from me in return but that he has not. He was the first poet I ever knew. His genius at that time had angelic wings, and fed on manna. He talked on for ever; and you wished him to talk on for ever. His thoughts did not seem to come with labour and effort; but as if borne on the gusts of genius, and as if the wings of his imagination lifted him from off his feet. His voice rolled on the ear like the pealing organ, and its sound alone was the music of thought. His mind was clothed with wings; and raised on them, he lifted philosophy to heaven. In his descriptions, you then saw the progress of human happiness and liberty in bright and never-ending succession, like the steps of Jacob's ladder, with airy shapes ascending and descending, and with the voice of God at the top of the ladder. And shall I, who heard him then, listen to him now? Not I! That spell is broke; that time is gone for ever; that voice is heard no more: but still the recollection comes rushing by with thoughts of long-past years, and rings in my ears with never-dying sound.
1 Hazlitt, in 1818, was much in vogue, and was giving lectures at the Surrey Institution, "On The English Poets." This small piece was extracted from one of these lectures as is found in Lectures on the English Poets (1818) (Oxford University Press, 1933), "On The Living Poets."