I have done: and if I have done no better, the fault has been in me, not in the subject. My liking to this grew with my knowledge of it: but so did my anxiety to do it justice. I somehow felt it as a point of honour not to make my hearers think less highly of some of these old writers than I myself did of them. If I have praised an author, it was because I liked him: if I have quoted a passage, it was because it pleased me in the reading: if I have spoken contemptuously of any one, it has been reluctantly. It is no easy task, that a writer, even in so humble a class as myself, takes upon him; he is scouted and ridiculed if he fails; and if he succeeds, the enmity and cavils and malice with which he is assailed, are just in proportion to his success. The coldness and jealousy of his friends not unfrequently keep pace with the rancour of his enemies. They do not like you a bit the better for fulfilling the good opinion they always entertained of you. They would wish you to be always promising a great deal, and doing nothing, that they may answer for the performance. That shows their sagacity and does not hurt their vanity. An author wastes his time in painful study and obscure researches, to gain a little breath of popularity, meets with nothing but vexation and disappointment in ninety-nine instances out of a hundred; or when he thinks to grasp the luckless prize, finds it not worth the trouble -- the perfume of a minute, fleeting as a shadow, hollow as a sound; "as often got without merit as lost without deserving." He thinks that the attainment of acknowledged excellence will secure him the expression of those feelings in others, which the image and hope of it had excited in his own breast, but instead of that, he meets with nothing (or scarcely nothing) but squint-eyed suspicion, idiot wonder, and grinning scorn. -- It seems hardly worth while to have taken all the pains he has been at for this!
In youth we borrow patience from our future years: the spring of hope gives us courage to act and suffer. A cloud is upon our onward path, and we fancy that all is sunshine beyond it. The prospect seems endless, because we do not know the end of it. We thing that life is long because art is so, and that, because we have much to do, it is well worth doing: or that no exertions can be too great, no sacrifices too painful, to overcome the difficulties we have to encounter. Life is a continued struggle to be what we are not, and to do what we cannot. But as we approach the goal, we draw in the reins; the impulse is less, as we have not so far to go; as we see objects nearer, we become less sanguine in the pursuit: it is not the despair of not attaining, so much as knowing that there is nothing worth obtaining, and the fear of having nothing left even to wish for, that damps our ardour and relaxes our efforts; and if the mechanical habit did not increase the facility, would, I believe, take away all inclination or power to do anything. We stagger on the few remaining paces to the end of our journey; make perhaps one final effort; and are glad when our task is done!
1 Hazlitt's "Disappointment" is extracted from his work, Lectures on the Literature of the Age of Elizabeth (1820) and can be found reproduced in Selected Essays as edited by Geoffrey Keynes (London: Nonsuch Press, 1930).